Anand Patwardhan's passionate, detailed chronicling of injustices in India has made him the filmmaking conscience of his nation. In The Name of God, Jai Bhim Comrade, and Father, Son, and Holy War stand not only as first-rate documentaries, but as direct interventions on behalf of justice and compassion. After years of work, Patwardhan is back with perhaps his most urgent and thorough film yet. 　　Divided into eight chapters, Reason sets out to chart what Patwardhan sees as India's slide away from the complex tumult of a secular democracy towards hardening divisions of power, caste, and religious belief — lines that are enforced increasingly by violence.

战争以奇兵队为首的诸队取得压倒的胜利结束。长州藩以此战为契机抛弃原先对幕府恭顺的态度，转为举藩倒幕。三年后，自镰仓时代以来持续了七百多年的武家社会轰然倒塌。奇兵队转战各地，在明治3年以编入政府常备军的方式解散。吉田松阴在松下村塾任教的时间为两年多。在这期间的门生的人数据推测为92人，其中在明治以后像伊藤博文、山县有朋这对双璧一样担任政府高官留名青史的人物一共有22名。但也有不少人不满新政府。此外未能等到明治维新，在之前的战役中殒命的人也有20名。高杉晋作也在明治维新前一年于下关病逝享年28岁，据传有三千人为其送葬。吉田松阴享年29岁，《金银岛》的作家英国人罗伯特．斯蒂文森评价他为“人类史上最高洁的人。”

Foča is a municipality in eastern Bosnia and Herzegovina where women were raped and abused on a large scale during the Bosnian war. Women, and girls as young as 12 years old, were imprisoned at various locations to be gang-raped, mostly by Serbian fighters. This was cause for the Yugoslavia Tribunal to designate “systematic rape” and “sexual slavery”—war crimes that frequently went unprosecuted—as torture and crimes against humanity. As a result, these crimes can now be universally prosecuted. 　　The so-called Foča case called on great courage from the countless women who testified about their horrific experiences. To preserve their anonymity the women were identified using numbers or letters. In this forensic video essay, filmmaker Kumjana Novakova uses mostly written testimonies by the women to explore the collective memory of the rape camps. In grainy video footage, the camera explores the places where these inhuman crimes took place, while the women speak about the unspeakable. 　　源自：https://festival.idfa.nl/en/film/c925f7a5-aa96-42aa-a222-4f9276df0821/silence-of-reason/

Foča is a municipality in eastern Bosnia and Herzegovina where women were raped and abused on a large scale during the Bosnian war. Women, and girls as young as 12 years old, were imprisoned at various locations to be gang-raped, mostly by Serbian fighters. This was cause for the Yugoslavia Tribunal to designate “systematic rape” and “sexual slavery”—war crimes that frequently went unprosecuted—as torture and crimes against humanity. As a result, these crimes can now be universally prosecuted. 　　The so-called Foča case called on great courage from the countless women who testified about their horrific experiences. To preserve their anonymity the women were identified using numbers or letters. In this forensic video essay, filmmaker Kumjana Novakova uses mostly written testimonies by the women to explore the collective memory of the rape camps. In grainy video footage, the camera explores the places where these inhuman crimes took place, while the women speak about the unspeakable. 　　源自：https://festival.idfa.nl/en/film/c925f7a5-aa96-42aa-a222-4f9276df0821/silence-of-reason/

由中文大学哲学系讲师和一班师兄弟组成的一个每事问团队，每次会邀请嘉宾、相关学者，谈生死、人生、善恶、美丑等等令人深思的课题，让大家理清思路，扫除逻辑盲区。 　　1 4月3日 你知死未？ 郭柏年、刘保禧、杨俊贤 陶国璋、陈晓蕾 　　2 4月10日 如果命运能选择 刘保禧、杨俊贤、邝隽文 黄秋生、吴启超 　　3 4月17日 说说法治 杨俊贤、邝隽文、关灏泉 石永泰 　　4 4月24日 寻开心 刘保禧、郭柏年、杨俊贤 徐缘、黄沐恩 　　5 5月1日 是它也是你和我 郭柏年、关灏泉 麦志豪、陈成斌 　　6 5月8日 家国天下 刘保禧、郭柏年、关灏泉 陈云 　　7 5月15日 真爱是真？ 刘保禧、杨德立 麦曦茵 　　8 5月22日 艺术公私 杨德立、李康廷 区凯琳、黄宇轩 　　9 5月29日 思考有方法 郭柏年、杨俊贤 区家麟、张彧暋 　　10 6月5日 非我族类 关灏泉 练乙铮、李达宁、叶家威 　　11 6月12日 古今多少事 郭柏年、刘保禧 郑立、卢杰雄 　　12 6月19日 杯酒人生 杨德立、郭柏年 关子尹、毕明 　　13 6月26日 好好丑丑 杨德立、李康廷、刘灏轩 谢晒皮 　　14 7月3日 点解哲学有偈倾 杨德立、郭柏年、李康廷、关灏泉 —— 　　15 7月10日 关键少数 刘保禧、关灏泉 吴霭仪、曾瑞明 　　16 7月17日 旁门左道？ 刘保禧、郭柏年 梁文道、王邦华 　　17 7月24日 当马克思遇上亚当斯 关灏泉、邝隽文 施永青、覃俊基 　　18 7月31日 假真相之名 刘保禧、郭柏年 李立峯、谭蕙芸 　　19 8月7日 男女霸权 刘保禧、郭柏年 刘璧嘉、卢斯达 　　20 8月14日 捕光捉影 关灏泉、李康廷、邝隽文 黄修平 　　21 8月21日 心里心里有个谜 邝隽文、杨俊贤 李伟才、刘创馥 　　22 8月28日 大学之道 刘保禧、杨俊贤 张灿辉、蔡宝琼 　　23 9月4日 人生的意义 刘保禧、邝隽文、李康廷、关灏泉、杨俊贤 ——

Is it rational that the dead can communicate with the living and give sound advice on how they should live their lives? What about sticking pins into your body to free the flow of Chi energy and cure your illness? Or the bending of spoons using your mind alone? Is that rational? Richard Dawkins doesn’t think so, and feels it is his duty to expose those areas of belief that exist without scientific proof, yet manage to hold the nation under their spell. He will take on the world’s leading proponents in their field of expertise, meet the victims who have used them and expose the history of the movements – from the charlatans who have milked these practices to the experiments and testing that have failed to produce conclusive results.

Experimental film, white specks and shapes gyrating over a black background, a light-striped torso, a gyrating eggcrate. One of the first Dadaist films.

Experimental film, white specks and shapes gyrating over a black background, a light-striped torso, a gyrating eggcrate. One of the first Dadaist films.

The earth, life and death, indifference and affection, abandonment, faith. Words and silence, light and shadow, the endless survival, the inability to love. A trilogy set in 2017, 2028, 2037. Three women of different generations and backgrounds cross paths; their tentative steps to fully exist evoke fragments of stories, bringing real life experiences and events into each character.

印度版的<理智与情感>.A.R.RAHMAM在2000年的作品.Tabu所饰演的Sowmya正是Emma Thompson的角色,Aishwarya Rai则演Kate Winslet的角色.两人形貌恰好. Emma Thompson演Eleanor时看得出极力表现压抑.谨慎等十八世纪末的英国女德,但Emma Thompson气质本来就有些强势，不若Tabu先天本钱讨好.Tabu扮演的Sowmya和男主角的对手戏，再再表现出保守认命，所有的人认为她不祥，她时时强忍悲恸，按奈不发一语，眉眼隐约挽歌吟.这是演员先天的本钱，非战之罪.她饰演的姊姊简直是天煞孤星 !!!第一个媒妁之言的未婚夫自美国返抵印度，车祸身亡;第二次相亲，对方也车祸;第三次相亲，全宅停电，来人反而相中捧蜡烛出来的妹妹Meenu;第四次，瘫痪不能言语的爷爷一再暗示修改遗嘱，她却不解意，教妹妹不要移动爷爷的木匣，全家被逐出大宅;第五次，Sowmya为男主角(Ajith饰演.大家看过SRK的Asoka应该对他有印象.一张娃娃脸，演阿育王Asoka的坏王兄Susima苏司马)挑选影片片名，可是电影开拍一波三折.母亲不知究理,大骂:"不知谁选的片名，一听就没好票房."Aishwarya Rai载歌载舞,奔放热情,出色的舞技,的确为影片加满分.甚至比Kate Winslet所詮释的更加俏皮活泼.而且为了营造Meenu前后感情依归的反差效果，对她关怀备致的Major Bala(Mammootty饰演)，真的是一脸大叔样，为救军中同袍,右腿齐膝而断.此后酗酒闹事,又邋遢成性.若非Meenu出言相讥,点醒他,恐怕Major Bala也就浑浑噩噩终此一生.所以Major Bala爱上了天真爽朗的Meenu,反似报恩心态. 一朝Meenu婉拒富家子弟的求婚,坦言爱上Major Bala,他反而不敢接受. 当姐妹三人和母亲被逐出豪宅,在Madras租赁房宅，四壁萧然，共躺一室，雨夜任凭屋内滴漏到天明，后来自谋生计，得以搬到小公寓，夏日夜晚母女四人佇在阳台赏烟花，一缕一丝，拋在遥远的天际，欣喜欢乐，平凡的幸福. Aishwarya Rai载歌载舞,奔放热情,出色的舞技,的确为影片加满分.甚至比Kate Winslet所诠释的更加俏皮活泼.而且为了营造Meenu前后感情依归的反差效果，对她关怀备致的Major Bala(Mammootty饰演)，真的是一脸大叔样，为救军中同袍,右腿齐膝而断.此后酗酒闹事,又邋遢成性.若非Meenu出言相讥,点醒他,恐怕Major Bala也就浑浑噩噩终此一生.所以Major Bala爱上了天真爽朗的Meenu,反似报恩心态.一朝Meenu婉拒富家子弟的求婚,坦言爱上Major Bala,他反而不敢接受.当姐妹三人和母亲被逐出豪宅,在Madras租赁房宅，四壁萧然，共躺一室，雨夜任凭屋内滴漏到天明，后来自谋生计，得以搬到小公寓，夏日夜晚母女四人伫在阳台赏烟花，一缕一丝，抛在遥远的天际，欣喜欢乐，平凡的幸福.